I went to my aunt’s wedding, she gave beautiful rosaries to her guests and she gave me a rosary bracelet specially for me.She told me she bought her by internet at www.irmabeads.com
I can’t show you the image.but here is the page of the rosary bracelet.http://www.irmabeads.com/khxc/ccp0-prodshow/Ros_Bra_OGAMP.html

Kiss the Girl

There you see her Sitting there across the way She don't got a lot to say But there's something about her And you don't know why But you're dying to try You wanna kiss the girl  Yes, you want her Look at her, you know you do Possible she wants you too There is one way to ask her It don't take a word Not a single word Go on and kiss the girl  Sha la la la la la My oh my Look like the boy too shy Ain't gonna kiss the girl Sha la la la la la Ain't that sad? Ain't it a shame? Too bad, he gonna miss the girl  Now's your moment Floating in a blue lagoon Boy you better do it soon No time will be better She don't say a word And she won't say a word Until you kiss the girl  Sha la la la la la Don't be scared You got the mood prepared Go on and kiss the girl Sha la la la la la Don't stop now Don't try to hide it how You want to kiss the girl Sha la la la la la Float along And listen to the song The song say kiss the girl Sha la la la la The music play Do what the music say You got to kiss the girl You've got to kiss the girl You wanna kiss the girl You've gotta kiss the girl Go on and kiss the girl

 
Reflection
Vocal: Lea Salonga
Music: Matthew Wilder
Lyrics: David Zippel


Look at me I will never pass for a perfect bride Or a perfect daughter Can it be I'm not meant to play this part? Now I see That if I were truly to be myself I would break my fam'ly's heart  Who is that girl I see Staring straight Back at me? Why is my reflection someone I don't know? Somehow I cannot hide Who I am Though I've tried When will my reflection show Who I am inside? When will my reflection show Who I am inside?

 

I Won’t Say (I’m in Love)
Vocal: Meg (Susan Egan)

Music: Alan Menken

Lyrics: David Zippel


Meg: If there’s a prize for rotten judgement I guess I’ve already won that No man is worth the aggravation That’s ancient history, been there, done that!  Muses: Who’d'ya think you’re kiddin’ He’s the Earth and heaven to you Try to keep it hidden Honey, we can see right through you Girl, ya can’t conceal it We know how ya feel and Who you’re thinking of  Meg: No chance, no way I won’t say it, no, no  Muses: You swoon, you sigh why deny it, uh-oh  Meg: It’s too cliche I won’t say I’m in love  I thought my heart had learned its lesson It feels so good when you start out My head is screaming get a grip, girl Unless you’re dying to cry your heart out Oh  Muses: You keep on denying Who you are and how you’re feeling Baby, we’re not buying Hon, we saw ya hit the ceiling Face it like a grown-up When ya gonna own up That ya got, got, got it bad  Meg: No chance, now way I won’t say it, no, no  Muses: Give up, give in Check the grin you’re in love  Meg: This scene won’t play, I won’t say I’m in love  Muses: You’re doin flips read our lips You’re in love  Meg: You’re way off base I won’t say it Get off my case I won’t say it  Muses: Girl, don’t be proud It’s O.K. you’re in love  Meg: Oh At least out loud, I won’t say I’m in love
 
The Work Song 


Bibbidi-Bobbidi-Boo
Vocals: Verna Felton (Fairy Godmother)

Music: Mack David, Al Hoffman

Lyrics: Jerry Livingston



Fairy Godmother 
Salagadoola mechicka boola bibbidi-bobbidi-boo

Put ‘em together and what have you got

bibbidi-bobbidi-boo

Salagadoola mechicka boola bibbidi-bobbidi-boo

It’ll do magic believe it or not

bibbidi-bobbidi-boo

Salagadoola means mechicka booleroo

But the thingmabob that does the job is

bibbidi-bobbidi-boo

Salagadoola menchicka boola bibbidi-bobbidi-boo

Put ‘em together and what have you got

bibbidi-bobbidi bibbidi-bobbidi bibbidi-bobbidi-boo

Ashita no Nadja follows the adventures of a young 13 year old, blonde girl with blue eyes called Nadja Applefield (her name originates in the same name novel of Andre Breton, which means hope in Russian) who travels across Europe with an entertainment act called the “Dandelion Troupe”.

In the early episodes, Nadja is an orphan who lives at the Applefield Orphanage - run by Miss Appleton - in the early 20th century England. During a calm morning spent out with her friends Alex and Oliver, Nadja is called by Miss Appleton to receive a package delivered to her. Inside a small briefcase, there is an elegant and ornate dress, and a diary. Humbled by these extravagant gifts, Nadja finds a small letter which reads, “Congratulations, Nadja. Soon, it will be your 13th birthday. To congratulate you, I’m sending you your Lady Mother’s memento of her first ball. I’m hoping in my dreams that you and your Lady Mother will be together again.”

Naturally shocked by the prospect of her mother being still alive, she listens as Miss Appleton reveals that she took Nadja as a small baby from a friend of her mother’s, because of her ill health. It was believed that Nadja’s mother, due to a life-threatening illness that she suffered, could not raise a child. The diary, the dress, and most prominently the heart-shaped brooch which adorns Nadja, all connect her to her mother. These symbolic items are heavily emphasised upon during the show.

The next day, Nadja and her friends encounter a huge vehicle in the town centre, which generates a large crowd. This is mostly due to cars being an object of incredulous wealth or good mechanical handicraft, due to the technological restraints of the early 20th century. Nadja soon discovers that the automobile is essentially a moving “circus”, complete with a set of colourful performers who call themselves the “Dandelion Troupe”. The performers dance on stage and sing a song of world-wide greetings; the leader, Master George Haskill, watches inquiringly as Nadja teaches the dance to children. A strong gust of wind carries Nadja’s hat off behind the automobile, where she finds a tiny old lady sitting by the fountains edge, holding a crystal ball. Her name is Anna Petrova and she prophesises that Nadja is a girl who “is loved by the Goddess of Fate”, and will “follow a destiny that no one could have imagined”. Watching Nadja are a pair of mysterious bandits who appear to be looking for her, and gaze in particular at her brooch.

The following night, while she puts all the younger children of the orphanage to bed, Nadja takes a moment to reflect on the gifts she was sent that belonged to her mother. The diary appears to be in German. While Nadja is dreaming about her dress, the two bandits from earlier fumble around the orphanage with a torchlight, in search of her. A child wakes up because of their exploits and they are startled into dropping the torchlight, instantly setting the room ablaze. Nadja hears the children screaming and quickly alerts everyone whilst evacuating the children; the “Dandelion Troupe” spot the fire and rush to the scene in their car to help.

Nadja realizes that she has left her trunk containing her mother’s gifts inside of the burning orphanage, and makes no hesitation in perilously diving through the flames to reach it. Upon returning through the corridor, the path is blocked by a stoic fire, and the ceiling beams begin to creak under the pressure; Nadja crashes out of the window just in time.

Bandits break open Nadja’s brooch after an assault.

Unluckily, the bandits from beforehand are waiting outside of the window, and order Nadja to hand over her brooch. Panicking, Nadja runs through the woods while the bandits give chase, but she falls; the bandits grab her and force her brooch off until it cracks open on the ground, revealing a ring. At that time, a stranger upon a glamorous horse arrives at the scene, declaring that, “A moon, as beautiful as the one on this night . . . does not wish to see a lady’s tears.”

The villains, thoroughly angry, plough into the new-comer, but he makes short work of both with effortless one-shot punches. In true shōjo-style, the boy reveals himself to be a handsome man in a pale-blue suit, and Nadja is astounded by her rescuer. He comforts her, and she remarks that he is a, “starry-eyed knight”. He carries her to the “Dandelion Troupe”’s camping spot, where they accommodate her for the night; the boy then takes off almost as swiftly as he came.

The stranger comforts Nadja in the woods.

The next day, Nadja awakes to find herself in a bed, inside the Dandelion Troupe’s vehicle. She walks outside to find the performers, who helped to quell the fire, eating breakfast, and they ask her for her name; Nadja starts off suddenly for the orphanage. The fire ravaged a good portion of the building, and she finds the bandits from the last night consolidating about Nadja’s disappearance with Miss Appleton. Nadja, racked with guilt and confusion, decides that she does not deserve to stay at the orphanage after the bandits caused the fire. She leaves a note with Miss Appleton, saying that she has left to find her mother, out in the world.

At first, Nadja attempts to find work in a sweatshop. It was common in England at the time for children to work at the age of 13 - there was no controversy over the issue, whereas today this would never occur due to child labour laws. After Nadja has been refused work from all the factories, she returns to the “Dandelion Troupe” in hope of a job. Master George tells her that the troupe cannot afford to take on just anybody, and that she must have a talent if she wishes to work for them. Nadja shows off the dancing which impressed Master George before, and it is agreed that she is the next hot talent for the “Dandelion Troupe”. Her improvisational (as opposed to choreographed) dancing becomes a hit act with the first performance, and she soon finds herself in the company of friends with diverse talents.

The series follows on with her journey with the troupe, and her budding romance with a noble young man named Francis Harcourt, who appears to be the ‘Black Rose’; he is a generous and Robin-Hood-like character with a kind heart, who can relate to Nadja but is separated from her in terms of class.

Later on Nadja met Francis whom she referred to him as ‘Starry-eyed Knight’ at a big mansion while travelling with the “Dandelion Troupe”. He was out riding on his horse when Nadja saw him. While being in the mansion she got lost and everyone in the mansion treated her as a servant/maid or a sort of low class since the nobles were above the class. Soon later Francis found her dancing alone and had a talk with her. He said that having education, being wealthy and all sorts do not amount how much you are worth.. It is actually how you strive everyday in life just to survive.

The series is about a young girl named Sora Naegino who comes from Japan to the United States in search of her dream. She wants, with all her heart, to be a member of the acrobatic circus that performs at the famous Kaleido Stage (similar to the Cirque du Soleil) located in the fictional city of Cape Mery, California With the help of her friends, Sora struggles to make this dream come true.

Sora Naegino (苗木野そら, Naegino Sora^?)

Sora is the main character of Kaleido Star. Her parents took her to Kaleido Stage when she was young. Although they died shortly thereafter, and Sora went to live with her aunt and uncle, Sora is inspired by this childhood memory to become a member of the Stage when she reaches adulthood. With her aunt and uncle’s hesitant approval she travels to the United States to audition. While she wanders around lost, her bag is stolen. As a consequence of chasing the thief and speaking to the police, she is late to the audition; Layla will not allow her to audition, but the owner Kalos gives her a chance to perform in the actual show. Most of the cast do not accept Sora at first because of the special circumstances through which she joins; Sora wins them over with persistence and hard work along with a magnetic personality. In the beginning of the series Sora is the only one who can see the magical stage spirit Fool. This character reveals she has been chosen by the stage. In the first season, Fool reveals only she can perform the Legendary Great Manuvor with Layla. In the second, he reveals that she has the potential to become a “true star”.

Layla Hamilton (レイラ・ハミルトン, Reira Hamiruton^?)

Layla is an accomplished and seasoned performer. She is a stubborn character and plays an antagonist-like role in the beginning of the story, but like many of the other characters, she befriends Sora. Layla is the daughter of Mr. Hamilton, a wealthy hotel chain owner; he would prefer Layla to be an actress and is frequently trying to push her into doing so. Layla eventually stands up to her father and rejoins the circus; she loves the Kaleido Stage because she clearly remembers how her deceased mother enjoyed going there. At the end of the first season, after attempting the great Mystical Act and seriously injuring her shoulder Layla gives up the circus and retires to Broadway.

Mia Guillem (ミア・ギエム, Mia Giemu^?)

Mia is a close friend of Sora’s. In the second episode, Mia accepts Sora’s presence on the stage after Sora attempts to perform the Golden Phoenix. Later in the series, Mia becomes passionate about writing the scripts for Kaleido Star’s performances. She occasionally has inner conflicts between performing and attending to her sick grandmother.

Anna Heart (アンナ・ハート, Anna Hāto^?)

Anna is also good friend of Sora’s. She too, like Mia, comes to accept Sora after the second episode. Anna is talented in many areas and frequently plays more serious parts. Anna truly wishes to perform comedy and usually tries to get Mia to write comedy into her parts. The request is almost always denied. Anna takes her love of comedy from her estranged father Jack, a stand-up comedian.

Yuri Killian (ユーリ・キリアン, Yūri Kirian^?)

Yuri, like Layla, is an experienced performer. During a flashback, it is revealed that his father died attempting the Mystical Act, and he never forgave Kalos for letting his father try. He plays a pivotal role in the second half of the first season when he betrays the stage, first by stealing away a good portion of the cast and later by buying out the stage and taking control of it. He later agrees to return it to Kalos if Layla and Sora accomplish the same Mystical Act that caused his father’s death, and when they manage to do so he fulfills his promise. In the second season, Yuri helps Sora get into the Circus Festival in Paris. He appears to be a bitter rival of Leon’s, and feels that he is responsible for Leon’s sister’s death.

Fool (フール, Fūru^?)

Fool is the mysterious spirit of the stage. He is about the size of an action figure, and appears as a type of jester or clown. He appears to Sora shortly before she appears on the Kaleido Stage for the first time. Fool is invisible to everyone but those who are destined to do great things on the stage and/or whose heart is completely dedicated to the stage. Although a ghost, Fool is a pervert who tries many times throughout the series to see Sora, and sometimes her friends, naked (usually by suggesting that they should take a shower). Sora is quick to prevent Fool from peeking in any given situation by trapping him somewhere or rebuking him forcefully, most often in a comedic, slapstick fashion. Later in the first season, Layla becomes capable of seeing Fool as well; the same happens to Rosetta at the end of the second season. In his more useful moments, he acts as a fortune teller, revealing possible futures to Sora (in the first season he reads the future from Tarot cards, in the second season he reads and reveals the hidden workings of intercharacter relationships via Astrology). He is also the one who explains the inner mechanics of the Mystical Act to Layla and Sora in episode 25, An Amazing Bond.

Sarah Dupont (サラ・デゥポン, Sara Dyupon^?)

Sarah is the diva of Kaleido Stage as well as the building manager for the dorms where everyone lives. Many want Sarah to sign on record label because she is so gifted in the singing department but she stays true to Kaleido stage. She is an avid fan of the martial arts, and frequently proposes bizarre alternative methods to help Sora achieve her objectives. She’s well acquainted with Kalos and has been with the Stage from the beginning, when she and Kalos were performing on the street with another friend. This friend returns once to try to persuade Sarah to leave Kaleido Stage with offering her a singing career, but she refuses.

Ken Robbins (ケン・ロビンス, Ken Robinsu^?)

Ken is the stage manager for Kaleido. He is unable to perform due to a heart condition. Ken also greatly admires Sora, in many respects, but never has the guts to confess his true feelings for her. This does not stop him from doing everything he can to help her out. Frequently he acts as her personal trainer, warning her of the dangers she might encounter. Many times he acts as the voice of reason for the group.

Kalos Eido (カロス・永戸, Karosu Eido^?)

Kalos is the head manager of the entire Kaleido Stage and gives Sora many helpful pieces of advice throughout the anime. He also maintains high expectations of everyone he encounters. Before Kaleido Stage, Kalos used to perform on the street with Sarah. Their past relationship is rather vague. Kalos is also the one who trained Yuri’s father for the Mystical Act. He is the only person who can tell Layla and Sora how to train for the act.

Policeman (Jerry) (ポリス, Porisu^?, Police)

The character Jerry is self-described throughout the show as Sora’s “#1 fan”. He has helped and supported her from episode one. He is also secretly in love with Kate, a doctor who occasionally appears to help cast members through physical injuries. In the second season, the policeman gathers the courage to ask her to marry him.

Marion Benigni (マリオン・ベニーニ, Marion Benīni^?)

Marion is a young girl living near the stage. Her father works on sets, but her mother (a former trampoline artist) is dead due to an accident. Like many of the others, Marion doesn’t accept Sora at first, but is quickly won over to her side. In the second season Marion begins to perform with the group on the Children’s Stage.

Jonathan (ジョナサン, Jonasan^?)

Jonathan is a baby seal that Sora picked up one day. Unable to keep pets, Sora tries to hide him. However, the secret is revealed and instead of kicking him out, Marion’s father builds a tank for him. He is capable of doing many tricks and sometimes seems more coordinated than Sora, creating comical performances that the children attending love. During the second season, Jonathan becomes closer to Marion and refuses to perform with anyone else.

Rosetta Passel (ロゼッタ・パッセル, Rozetta Passeru^?)

Rosetta is a world champion diabolo performer. After her first Kaleido performance Kalos kicks her off the stage because she was unsatisfying: he explains despite being perfect in the technical fields, her act lacked passion and everyone was bored by her act. Sora takes the girl under her wing, teaching her how to put audience enjoyment before technical perfection. In return, Rosetta teaches Sora diabolo, which Sora returns to when she needs help learning new acts. Rosetta returns in the second season wishing to become a trapeze artist and follow in Sora’s steps.

May Wong (メイ・ウォン, Mei Won^?)

First appearing in the second season, May is a new recruit who challenges Sora’s position. Sora and May have a tense rivalry for most of the second season, which aids both in becoming better performers. May turns out to be exceptionally talented and becomes Leon’s partner for the Dracula show. During one of the performances, Leon drops her dislocating her shoulder. This allows Sora to obtain the spot for the Circus festival. May, understanding that Leon abandoned her due to her selfish and childish attitude, refuses to give up her spot and overtakes Sora with a new one armed trick finally besting Sora and putting her on top. As she does so, she lays off her arrogance and becomes a better person.

Leon Oswald (レオン・オズワルド, Reon Ozuwarudo^?)

Leon is a trapeze performer who arrives in the second season. He comes off as arrogant, refusing to perform with Sora because she is not skilled enough for him. His true desire, however, lies in a promise he made to his dying sister Sophie: to see the Angel’s Act, an unrivaled and beautiful trapeze act they had developed, completed. He’s a rival of Yuri Killian, whom he blames for the death of Sophie in an accident.

Mr. Kenneth (ケネス, Kenesu^?)

Mr. Kenneth is an elderly man he is the representative for the Stage’s stockholders and also said to be the producer or the stage. Putting him in a position as high as Kalos or even higher. He has great experience in the show business and also often aids Sora like Kalos. He also personally knows Ken but never calls him by his real name.

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